WIELAND

A

Adilman, Sid. "Canadian News and History Attracting Moviemakers." Toronto Star, June 6 1974: E4.

Adilman, Sid. "De Carlo, Hayes and Newley Film in Metro." Toronto Star, Nov. 19 1974: E4.

Adilman, Sid. "Seven Features Nominated for Top Film Awards." Toronto Star, Oct. 5 1976: F1.

Allan, Blaine. "David Rimmer's Surfacing on the Thames." Cin-Tracts 9 (Winter 1980): 56-61.

Allan, Blaine. "It's Not Finished Yet (Some Notes on Toronto Filmmaking)." In Toronto: A Play of History, edited by Louise Dompierre, 83-92. Toronto: Power Plant, 1987.

Allen, Jan. Joyce Wieland: Twilit Record of Romantic Love. Kingston, Ont.: Agnes Etherington Art Centre, Dec. 18 1994-Mar. 26 1995.

Andrews, Bernadette. "Joyce Wieland: A Look Back in Interest." Telegram (Toronto, ON), Feb. 27 1969: 108.

Anker, Steve. "Rupturing Boundaries-Radical Filmmakers of the Sixties." In White Cube/Black Box: Skulpturensammlung: Video, Installation, Film: Werkschau Valie Export und Gordon Matta-Clark, edited by Sabine Breitwieser, 283-317. Vienna, Austria: EA Generali Foundation, 1996.

Anthony, George. "Wieland's Far Shore Has Appeal with Stunning Sense of Detail." Toronto Sun, Sept. 28 1976: 25.

Appleby, George. "On Editing The Far Shore (and Other Films)." The Canadian Film Editor 3, no. 3 (Spring 1977): 34.

Armatage, Kay and Linda Beath. "Canadian Women's Cinema." In Women and Film: 1896-1973, 5-6. Toronto: Women and Film Festival, 1973; reprinted in Documents in Canadian Film, edited by Douglas Fetherling, 172-76. Toronto: Broadview, 1988.

Armatage, Kay, "Joyce Wieland, Feminist Documentary, and the Body of the Work." Canadian Journal of Political and Social Theory 13, nos. 1-2 (1989): 91-101.

Armatage, Kay. "Kay Armatage Interviews Joyce Wieland." Take One 3, no. 2 (Nov.-Dec. 1970): 23-25 [recorded Oct. 1971; published Feb. 1972]; reprinted with additions in Women and the Cinema: A Critical Anthology, edited by Karyn Kay and Gerald Peary, 246-61. New York: Dutton, 1977.

Armatage, Kay. "The Feminine Body: Joyce Wieland's Water Sark." Canadian Woman Studies 8, no. 1 (Spring 1987) : 84-88; reprinted in Dialogue: Canadian and Québec Cinema, edited by Pierre Véronneau, Michael Dorland and Seth Feldman, 283-95. Montreal: Mediatexte, 1987.

Armatage, Kay. "Wieland's Far Shore and Shipman's God's Country." In Great Canadian Film Directors, edited by George Melnyk, 3-26. Edmonton: University of Alberta Press, 2007.

Armatage, Kay. “Fluidity: Joyce Wielands Political Cinema." In The Gendered Screen: Canadian Women Filmmakers, edited by Brenda Austin-Smith and George Melnyk, 95-112. Waterloo, ON: Wilfrid Laurier University Press, 2010.

Arthur, Paul. "Different/Same/Both/Neither: The Polycentric Cinema of Joyce Wieland." In Women's Experimental Cinema: Critical Frameworks, edited by Robin Blaetz, 45-66. Durham, NC: Duke University Press, 2007 Arthur, Paul. "Quixote and Its Contexts." Film Culture 67-68-69 (1979) : 32-56.

Arthur, Paul. "Structural Film: Revisions, New Versions, and the Artifact. Part Two." Millennium Film Journal 4-5 (Summer-Fall 1979): 122-34.

Arthur, Paul. "The Last of the Last Machine?: Avant-Garde Film Since 1966." Millennium Film Journal 16-17-18 (Fall-Winter 1986-87): 69-93.

Auchterlonie, Bill. "Joyce Wieland: Filmmaker The Far Shore/In Progress." Art Magazine 7, no. 24 (Dec.-Jan. 1975-76) : 6-11.

B

Banning, Ann Kathleen. "Exceeding the Frame: Implications of Excess in Two Films by Joyce Wieland." Master's thesis, York University, 1989.

Banning, Kass. "From Didactics to Desire: Building Women's Film Culture: Joyce Wieland." In Work in Progress, edited by Rhea Tregebov, 157-61. Toronto: Women's Press, 1987.

Banning, Kass. "Reason Over Passion, a Film by Joyce Wieland." In Practices in Isolation: Canadian Avant-Garde Cinema, edited by Richard Kerr, 5. Kitchener: Kitchener-Waterloo Art Gallery, 1986.

Banning, Kass. "Surfacing: Canadian Women's Cinema: Festival of Festivals Surveys 70 Years of Herstory." Cinema Canada 167 (Oct. 1989): 12-16.

Banning, Kass. "Textual Excess in Joyce Wieland's Handtinting." CineAction 5 (Spring 1986): 12-14.

Banning, Kass. "The Mummification of Mommy: Joyce Wieland as the AGO's First Living Other." C Magazine 13 (1987): 32-38; reprinted in Sightlines: Reading Contemporary Canadian Art, edited by Jessica Bradley and Lesley Johnstone, 153-67. Montreal: Artextes, 1994.

Bannon, Anthony. "Focus on Frampton Clearer with Time." Buffalo News, Oct. 10 1984. Bassan, Raphael. "Experiences canadiennes." Cinéma Différent 21-22 (June 1978): 12-13.

Baxter, Brian. "The Far Shore." The 20th London Film Festival. London, U.K.: London Film Festival, Nov. 15-Dec. 5 1976. Beattie, Eleanor. "Wieland, Joyce." The Handbook of Canadian Film. 2d ed. Toronto: Peter Martin and Take One, 1977: 188-89.

Beker, Marilyn. "Expanded Cinema Rocks Gallery." Globe and Mail, Nov. 30 1967: 13.

Belanger, Ray. "The Far Shore, or The Great Gatsby Goes North." The Canadian Film Editor 3, no. 3 (Spring 1977): 33. [Bell, Peter.] "Exhibit Displays Oriental Quality." St. John's Evening Telegram, June 10 1978.

Benedetti, Paul. "Joyce Wieland: Art's Wild Card." The Spectator (Hamilton, ON), Nov. 17 1990: C1, C5.

Birnie, Ian. "Independent Views: Independent Filmmaking in Ontario." Cinema Canada 38-39 (June-July Summer 1977): 47-49.

Blain, Gilles. "Knokke-Le Zoute '67." Séquences 52 (Feb. 1968): 55-62.

Blanchfield, Cecilia. "'My Star Is Shining,' Says Actress Céline." Gazette (Montreal, QC), June 17 1978: 51.

Blue, Janice. "On Film: A Woman's Vision." Houston Breakthrough, Oct. 1978: 9.

Brewster, Ben. "Afterword." In Structural Film Anthology, edited by Peter Gidal, 141-4. London: British Film Institute, 1978.

Brewster, Ben. "Joyce Wieland." Film as Film: Formal Experiment in Film 1910-1975. London: Hayward Gallery and Art Council of Great Britain, May 3-June 17 1979: 152.

Bruno, Giuliana. "Women in Avant-Garde Film: An Interview with Annette Michelson." Millennium Film Journal 16-17-18 (Fall-Winter 1986-87): 141-48.

Burke, Frank. "'How'd You Like To Disappear?' Theorizing the Subject in Film." Canadian Journal of Political and Social Theory 13, nos. 1-2 (1989): 25-43.

Burnett, David and Marilyn Schiff. "A Broadening Scene: Toronto and London." In Contemporary Canadian Art. Edmonton: Hurtig, 1983: 82-109.

C

Camper, Fred. "Avant-Garding the Feature." Chicago Reader, Mar. 3 1978: 16, 32.

"Canadian Artists on 'The Far Shore': The Art Post Interviews Joyce Wieland." The Art Post 2, no. 2 (Sept.-Oct. 1984): 18-22 .

Carey, Pauline. "Movies: The Far Shore." Onion 2, no. 7 (1976) : 1.

Charent, Brian, Peter Harcourt and Margo Blackwell. "The Far Shore: An Interview." Motion 5, no. 2 (1976): 32-33.

Clandfield, David. "Animated Film and Experimental Film." In Canadian Film. Toronto: Oxford University, 1987: 112-28.

Cohn, Bernard. "Oberhausen 69." Positif 107 (Summer 1969): 62-63.

Conley, Christine. "True Patriot Love: Joyce Wielands Canada." In Art, Nation and Gender: Ethnic Landscapes, Myths and Mother-Figures, edited by Tricia Cusack and Síghle Bhreathnach-Lynch, 95-112. Aldershot, U.K.: Ashgate, 2003 Cook, Pam. "Pierre Vallières." Monthly Film Bulletin 50, no. 596 (Sept. 1983): 256-57.

Cook, Pam. "The Point of Self-Expression in Avant-Garde Film." In Theories of Authorship: A Reader, edited by John Caughie, 271-81. London: Routledge and British Film Institute, 1981.

Corbeil, Carole. "Capturing Power of Wieland's Art." Globe and Mail, Sept. 18 1987: D4.

Corbeil, Carole. "Joyce Wieland Finds Room To Bloom." Globe and Mail, Mar. 2 1981: 17.

Cornwell, Regina. "Introduction to Structural Films." In Sonsbeek Buiten de Perken. Arnhem: Centrum Park Sonsbeek, June 19-Aug. 15 1971: unpaginated.

Cornwell, Regina. "Maya Deren and Germaine Dulac: Activists of the Avant-Garde." Film Library Quarterly 5, no. 1 (Winter 1971): 29-38; reprinted in Sexual Stratagems: The World of Women in Film, edited by Patricia Erens, 185-201. New York: Horizon, 1979.

Cornwell, Regina. "The Films of Joyce Wieland." In True Patriot Love. Ottawa: National Gallery of Canada, 1 July-8 Aug. 1971: unpaginated; reprinted in Artforum 10, no. 1 (Sept. 1971): 36-40, and in Canadian Film Reader, edited by Seth Feldman and Joyce Nelson, 285-89. Toronto: Peter Martin, 1977; excerpted in Structural Film Anthology, edited by Peter Gidal, 139-40. London: British Film Institute, 1978, and in Kunst mit Eigen, edited by Silvia Eiblmayr, et al., 235. Vienna: Locker Verlag, 1985.

Cowan, Bob. "Letter from N.Y.C." Take One 2, no. 6 (July-Aug. 1969): 25-26. [published July 1970]

Cowan, Bob. "New York Letter." Take One 2, no. 1 (Sept.-Oct. 1968): 29.

Crean, Susan M. "Forbidden Fruit: The Erotic Nationalism of Joyce Wieland." This Magazine 21, no. 4 (Aug.-Sept. 1987): 12-20.

Crean, Susan M. "Notes from the Language of Emotion: A Conversation with Joyce Wieland." Canadian Art 4, no. 1 (Spring 1987): 64-65.

Curtis, David. "English Avant-Garde Film: An Early Chronology." Studio International 190, no. 978 (Nov.-Dec. 1975): 176-82; reprinted in The British Avant-Garde Film 1926-1995, edited by Michael O'Pray 101-19. London: The Arts Council of Great Britain and University of Luton, 1996.

Curtis, David. "The Co-operative Movement - Internationalism - New Directions: Structural Cinema." In Experimental Cinema: A 50 Year Evolution. New York: Universe, 1971: 155-62.

Czernis, Loretta. "Pourquoi est-ce que la bête est noire?: A Brief Meditation on Canadian Experimental Film." Canadian Journal of Political and Social Theory 14, nos. 1-3 (1990): 215-18.

D

Dalev, Frank. "A Far Shore: Beautiful with Weak Spots." Ottawa Journal, Aug. 6 1976: 14.

Dault, Gary Michael. "[Joyce Wieland)." Globe and Mail, June 30 1998: C1, C3.

Dault, Gary Michael. "Bill's Hat." Artscanada 116-117 (Apr. 1968): 42.

Dault, Gary Michael. "Visual Art: Best Girl." Border Crossings 15, no. 4 (Nov. 1996): 61-62.

Dechesne, Ellen. "Reverb: Fetchingly Surreal." Cinema Canada 41 (October 1977): 4-5.

Delaney, Marshall [Robert Fulford]. " Wielandism: A Personal Style in Full Bloom." Saturday Night 91, no. 3 (May 1976) : 76-77; reprinted in Canadian Film Reader, edited by Seth Feldman and Joyce Nelson, 279-82. Toronto: Peter Martin, 1977.

Delaney, Marshall [Robert Fulford]. "45 Hours with the Underground." Saturday Night 82, no. 8 (Aug. 1967): 26-29; reprinted in Fulford, Robert. Marshall Delaney at the Movies: The Contemporary World as Seen on Film, 15-19. Toronto: Peter Martin and Take One, 1974.

Dexter, Gail. "Art." Toronto Daily Star, Dec. 19 1968: 38. Dixon, Wheeler. "Joyce Wieland." In The Exploding Eye: A Re-Visionary History of 1960s American Experimental Cinema. New York: State University of New York, 1997: 181-85.

Dixon, Wheeler. "Point of View." Spiral 9 (Oct. 1986): 4-6. Doberman, Gary. "New York Cut the Crap." Cinemanews 79, nos. 5-6 (Spring 1980): 24-27.

Dorland, Michael. "'The Void Is Not So Bleak': Rhetoric and Structure in Canadian Experimental Film." Canadian Journal of Political and Social Theory 14, nos. 1-3 (1990): 148-59.

Du Cane, John. "The Festival of Light and Time Continues." Time Out (Sept. 7-13 1973).

Dwoskin, Stephen. "Contemporary Background: Canada." In Film Is: The International Free Cinema. New York: Overlook, 1975: 102-104.

E

Elder, Kathryn, ed. The Films of Joyce Wieland. Toronto: Cinematheque Ontario, 1999.

Elder, R. Bruce. "All Things in Their Times: Part 2." Ciné-Tracts 17 (Summer-Fall 1982): 39-45; reprinted in Image and Identity: Reflections on Canadian Film and Culture, 243-62. Waterloo, Ont.: Wilfrid Laurier University, 1989.

Elder, R. Bruce. "Experiments: The Photographic Image." Festival of Festivals. Toronto: Festival of Festivals, Sept. 6-15 1984: 156-64; portions reprinted in English and French in Northern Lights: A Programmer's Guide to the Festival of Festivals Retrospective, edited by Michael Sean Kiely, 87-103. Ottawa: Canadian Film Festival Institute, 1986.

Elder, R. Bruce. "Film, Experimental." In Canadian Encyclopedia, edited by James H. McLeod, 770. 2d ed. 4 vols. Edmonton: Hurtig, 1988.

Elder, R. Bruce. "Image: Representation and Object the Photographic Image in Canadian Avant-Garde Film." In Take Two, edited by Seth Feldman, 246-63. Toronto: Irwin, 1984; reprinted in Image and Identity: Reflections on Canadian Film and Culture, 263-93. Waterloo, Ont.: Wilfrid Laurier University, 1989.

Elliott, David. "Adventurous Offerings at Facets, Film Center." Chicago Daily News, Feb. 28 1978.

Elliott, Julia. "The Far Shore: Reason and Passion." The Canadian Film Editor 3, no. 3 (Spring 1977): 31-32. Everett-Green, Robert. "A Woman's Point of View." Globe and Mail, June 30 1998: C1, C3.

Everett-Green, Robert. "Art: Bold Strokes." Saturday Night 102 (May 1987): 59-63.

Everett-Green, Robert. "Celluloid Experiments." Globe and Mail, Sept. 6 1986: C13.

Everett-Green, Robert. "Frames from beyond the Fringe." Globe and Mail, May 13 1986: D9.

Everett-Green, Robert. "Painting on a Canvas of Celluloid." Globe and Mail, Aug. 5 1995: C1, C8.

F

"'Far North' Flows like a Soap Opera." New Westminster Columbian (Canada), Aug. 9 1976: reprinted as "Film Has Premiere" in Truro Daily News (Canada), Aug. 9 1976; and as "New Canadian Feature Film" in Medicine Hat News (Canada), Aug. 11 1976.

Farber, Manny. "Film." Artforum 7, no. 5 (Jan. 1969): 70-73; reprinted in Negative Space, 250-55. New York: Praeger, 1971 and in Documents in Canadian Film, edited by Douglas Fetherling, 242-48. Toronto: Broadview, 1988.

Farber, Manny. "Film." Artforum 8, no. 5 (Jan. 1970): 81-82.

Farber, Manny. "Film." Artforum 8, no. 6 (Feb. 1970): 83-85.

Farber, Manny. "Films at Canadian Artists '68: Art Gallery of Ontario." Artscanada 128-129 (Feb. 1969): 28-29. Feldman, Seth. "Business as [Un]usual." Cinema Canada 81 (Feb. 1982): 22-23.

Feldman, Seth. "The Silent Subject in English Canadian Film." In Words and Moving Images, edited by William C. Wees and Michael Dorland, 203-12. Montreal: Mediatexte, 1984; reprinted in Take Two, edited by Seth Feldman, 48-57. Toronto: Irwin, 1984.

Ferguson, Betty, Garance Mapleton, Judy Steed and Joyce Wieland. "Canadian Home Movies." Women and Film: 1896-1973. Toronto: Women and Film Festival, 1973: 7.

Fetherling, Douglas. "Films: Wieland's Vision." The Canadian Forum 56 (May 1976): 40-41.

Fetherling, Douglas. "Joyce Wieland in Movieland." Canadian Weekly (Toronto, ON), Jan. 24 1976: 10-12.

Field, Simon. " Underground 2: Re-Viewing the Avant-Garde." Monthly Film Bulletin 50, no. 596 (Sep. 1983) : 234-36.

Field, Simon. "Joyce Wieland: For a Different Vision." Canada House Bulletin [London, U.K.] (Jan.-Feb. 1988): unpaginated.

Film Attempts To Explain Painter's Mysterious Death. Edmonton Journal, Sept. 29 1977.

"Film Maker in Program at Art Gallery." St. Thomas Times-Journal (Canada), Mar. 20/22 1973. "Film-Maker Casts Dwight Eisenhower Eating Fish." Globe and Mail, Dec. 2 1967: 22.

"Film-Making 'Not Easy' in Canada." n.p. [1977].

Foreman, Richard. "New Cinema Festival at Jewish Museum." Artscanada (Special Supplement) 107 (Apr. 1967): 9.

Foster, Gwendolyn Audrey. "Wieland, Joyce (1931-)." Women Film Directors: An International Bio-Critical Dictionary. Westport, Conn.: Greenwood, 1995: 372-73.

Freedman, Adele. "Art: Joyce Wieland's Re-Emergence: The Arctic Light at the End of The Far Shore." Toronto Life (June 1980): 184-85.

Freedman, Adele. "Roughing It with a Brush." Toronto (Apr. 1987): 38-41,78-79.

Freyer, Ellen. "Formalist Cinema: Artistic Suicide in the Avant-Garde." Velvet Light Trap 13 (Fall 1974): 47-49; reprinted in Italian in New American Cinema: II Cinema Indipendente Americano degli Anni Sessanta, Adriano Apra, 147-52. Torino: Festival Internazionale Cinema Giovani, 1986.

Fulford, Robert. "Giving Us a Sense of Ourselves." Toronto Daily Star, July 10 1971: 55; reprinted as "Joyce Wieland - Her Romantic Nationalism and Work." Ottawa Citizen, July 10 1971: 30.

Fulford, Robert. "Now, We Get Psychedelic Quilts." Toronto Daily Star, Mar. 25 1967: 40.

Fulford, Robert. "Tom Thomson Film a Canvas for Beliefs, Ideas of the 1970s." Globe and Mail, July 30 1997: C1.

G

Gagnon, Monika Kin. "Unfinished Films and Posthumous Cinema: Charles Gagnon's R69 and Joyce Wieland's Wendy and Joyce." In Cinephemera: Archives, Ephemeral Cinema, and New Screen Histories in Canada, edited by Gerda Cammaer and Zoë Druick, 137-158. Montreal: McGill-Queen's University Press, 2014.

Gale, Peggy. "The National Gallery's Canadian Filmmakers Series: Canadian Artists as Filmmakers." Art Magazine 6, no. 19 (Fall 1974): 28.

Gardner, Paul. "The Far Shore." Variety, Aug. 18 1976: 22, 24.

Genereux, Linda. "Exhibitions: Joyce Wieland." Muse 5, no. 3 (Fall 1987): 74-77.

Gerber, Eric. "Stumbling Blocks: Hard to Film Far Shore? - For Sure." Houston Post, Sept. 22 1978.

Gidal, Peter. "Film as Film." Art and Artists 7, no. 9 (Dec. 1972): 12-14.

Gidal, Peter. "Interview with Hollis Frampton." October 32 (Spring 1985): 93-117.

Gilchrist, L. "In Search of the Far Shore." Independent Media (London, U.K.), Feb. 1988.

Gilday, Katherine. "The Far Shore: Script and Film." Books in Canada 6, no. 2 (Feb. 1977): 30-32.

Gittings, Chris. "Narrating Nations/Ma(r)king Differences." In Canadian National Cinema, 103-95. London: Routledge, 2002.

Glasser, Penelope. "Problems and Visions: Joyce Wieland Now." Spirale 1, no. 3 (Winter 1981-1982): 6-8.

Goddard, Peter. "Fringe Films Old and New Found Favour This Year." Toronto Star, Dec. 27 1996: D6.

Goddard, Peter. "Reason and Passion of Joyce Wieland." Toronto Star, June 30 2011: E7.

Goddard, Peter. "Screenings on Wieland's Films." Toronto Star, Feb. 10 1996: H10

Goslawski, Barbara. "An Appreciation of the Films of Joyce Wieland." Take One 7, no. 21 (Fall 1998): 16-20.

Goslawski, Barbara. "Experimental." Take One 5, no. 14 (Winter 1997): 52.

Gow, Gordon. "16mm: Underground Patriotism." Films and Filming 19, no. 5 (Feb. 1973): 65-66.

Gow, Gordon. "16mm: Women at Work." Films and Filming 18, no. 8 (May 1972): 75-76.

Grace, Sherrill E. Inventing Tom Thomson: From Biographical Fictions to Fictional Autobiographies and Reproductions. Montreal: McGill-Queen's University Press, 2004.

Graham, Lorrie. "Student Reviews." Rushes [Toronto Filmmakers' Co-op Newsletter] (May 1974).

Grilikhes, Alexandra. "Philadelphia's First International Festival: Films by Women: 1928-1971." Film Library Quarterly 26, no. 1 (Winter 1972-73): 8-11, 46-53.

Gronau, Anna. "Avant-Garde Film by Women: To Conceive a New Language of Desire." In The Event Horizon: Essays on Hope, Sexuality, Social Space and Media(tion) in Art, edited by Lorne Falk and Barbara Fischer, 159-76. Toronto: Coach House and Walter Phillips Gallery, 1987.

H

"Hail and Farewell: From Sinatra to W.O. Mitchell, A Global Roll of Sad Losses." Maclean's 111, no. 52 (28 Dec. 1998-4 Jan. 1999): 98.

Hale, Barrie. "A Pure New Film of a Pure Land." Toronto Daily Star, July 19 1969: 63; reprinted in Cinema Review 1, no. 1 (Sept. 1969): 24-25.

Hale, Barrie. "The Vanguard of Vision: Notes on Snow and Wieland." Saturday Night 89, no. 6 (June 1974): 20-23; reprinted in Documents in Canadian Film, edited by Douglas Fetherling, 249-59. Toronto: Broadview, 1988.

Hancox, Rick. "Short Films." Cinema Canada 2d ser., 14 (June-July 1974): 58-60.

Handling, Piers. "A Canadian Cronenberg." The Shape of Rage: The Films of David Cronenberg, edited by Piers Handling, 98-114. Toronto: Academy of Canadian Cinema and General Publishing, 1983; reprinted in Take Two, edited by Seth Feldman, 80-91. Toronto: Irwin, 1984.

Harcourt, Peter. "Joyce Wieland's The Far Shore." Take One 5, no. 2 (May 1976): 63-65. Hartt, Laurinda M. "Creative Collaborators." Screen International 83 (16 Apr. 1977): 27.

Hartt, Laurinda M. "Film: The Far Shore." Canadian Campus (Feb. 1977): 29.

Henley, Gail. "The Toronto Retrospective: The Courage and the Glory." Cinema Canada 112 (Nov. 1984): 6-9. Henshaw, Richard. "Women Directors." Film Comment 8, no. 4 (Nov. 1972): 33-45.

Hill, John and Pamela Church Gibson, eds. The Oxford Guide to Film Studies. London: Oxford University, 1998: 127, 407.

Holmes-Moss, Kristy A. "Joyce Wieland: Interview and Notes on Reason Over Passion and Pierre Vallieres." Canadian Journal of Film Studies 15.2 (Fall 2006): 114-24.

Holmes-Moss, Kristy A. "Negotiating the Nation: ‘Expanding’ the Work of Joyce Wieland." Canadian Journal of Film Studies 15, no. 2 (Fall 2006): 20–43.

Holmes, Kristy A. "Imagining and Visualizing 'Indianness' in Trudeauvian Canada: Joyce Wieland's The Far Shore and True Patriot Love." RACAR (Revue d'art canadienne / Canadian Art Review) 35, no. 2 (2010): 47-64.

Holmes, Kristy A. "Negotiating Citizenship: Joyce Wielands Reason over Passion." In The Sixties: Passion, Politics, and Style, edited by Dimitry Anastakis, 42-70. Montreal: McGill-Queen's University Press, 2008.

Holmes, Kristy A. "Negotiating the Nation: The Work of Joyce Wieland 1968-1976." PhD diss., Queen's University, 2007.

Hume, Christopher. "Ideas Reeled out at Experimental Film Fest." Toronto Star, Jan. 11 1985: C8.

Hume, Christopher. "Obituary: Artist Joyce Wieland, 66." Toronto Star, June 29 1998: A4; excerpts reprinted in The Gazette [Montreal] (30 June 1998): D14; The Vancouver Sun (30 June 1998): B7; and Calgary Herald (30 June 1998): F1.

Hume, Christopher. "Wieland Tells AGO the Show Must Go On." Toronto Star, Apr. 10 1987: D3. Insell, Maria. "En Garde: Echoes in the Museum of an Official Canadian Avant-Garde." Speed 1, no 1. (Spring 1987): 37-43; reprinted in The Independent Eye 10, no 3. (Summer 1989): 33-42.

J

James, Geoffrey. "Art: The Protean Vision of Joyce Wieland." Maclean's 100, no. 17 (Apr. 27 1987): 53-56.

James, Geoffrey. "Whimsy over Passion." Time [Canadian edition] 98, no. 2 (July 12 1971): 11-12.

Jenkins, Bruce. "A Case Against 'Structural Film.'" Journal of the University Film Association 33, no. 2 (Spring 1981): 9-14.

Jergins, Roland. "All Things Canadian." Showbill (Feb.-Mar. 1978).

Johnson, Brian D. "Adieu to Two Pioneers: Joyce Wieland 1931-1998: Bill Reid 1920-1998." Maclean's 111, no. 28 (July 13 1998): 66-67.

["Joyce Wieland's Drawings."] Leader Post (Regina, SK), Mar. 4 1978.

K

Kareda, Urjo. "Plastic Bags Have More Life than Cinethon." Globe and Mail, June 16 1967: 13.

Katz, John Stewart. "Joyce Wieland." In Autobiography: Film/Video/Photography, edited by John Stewart Katz, 79. Toronto: Art Gallery of Ontario, 1 Nov.-7 Dec. 1978.

Kilbourn, Elizabeth. "Art and Artists." Toronto Daily Star, Nov. 23 1963: 36.

King, Paul. "Seven Canadian Films Set: Productions To Cost $11 Million." Citizen (Ottawa, ON), Dec. 14 1974: 77.

Knelman, Martin. "Cinethon, the Marathon Festival at Cinecity: Glories and Horrors of Underground Movies." Toronto Daily Star, June 17 1967: 32.

Knelman, Martin. "Film Happening Taking over Cinecity." Toronto Daily Star, June 15 1967: 42

Knelman, Martin. "Films." Toronto Life (May 1976): 82-83; reprinted in This Is Where We Came In, 160-64. Toronto: McClelland and Stewart, 1977.

Knelman, Martin. "Movies: Toronto Films Loom Large as Cannes Hopefuls." Globe and Mail, Jan. 28 1976: 15.

Knight, Deborah. "Exquisite Nostalgia: Aesthetic Sensibility in the English-Canadian and Quebec Cinemas." CineAction 11 (Winter 1987-88) : 30-37.

Koller, George Csaba. "Le Cinéma éxpérimental: Ontario." In Les Cinémas Canadiens, edited by Pierre Lherminier, 61-4. Montreal: La Cinématheque Québécoise, 1978: 61-64.coise, 1978: 61-64.

Koller, George Csaba. "Visionary Experiments." Parachute 10 (Spring 1978): 25-26.

Kome, Penney. "Women on the Go: Joyce Wieland, Artist and Filmmaker." Chatelaine 49, no. 4 (Apr. 1976): 18.

Kostash, Myrna. "Women as Film-Makers: Fightin' Films 2." n.p. [1973]: 70.

Kritzwiser, Kay. "Art: 4 Sets of Art FilmsTo Be Distributed." Globe and Mail, May 3 1974: 15.

Kritzwiser, Kay. "Art: Europe Gets the Drift of the Snows' Avant-Garde Films ." Globe and Mail, Oct. 21 1968: 13.

Kritzwiser, Kay. "Artist Michael Snow Wins Prize for Movie." Globe and Mail, Jan. 3 1968: 10.

Kritzwiser, Kay. "At the Galleries: A Record of the Sixties in Colorful Quilts." Globe and Mail, Mar. 25 1967: 17.

Kritzwiser, Kay. "At the Galleries: Bill's Hat." Globe and Mail, July 8 1967: 17.

Kritzwiser, Kay. "What's So Special about New York? Ask an Artist." Globe and Mail, Apr. 15 1967: sec. 2, 1.

L

Landsberg, Michele. "Joyce Wieland: Artist in Movieland." Chatelaine 49, no. 10 (Oct. 1976): 57-59, 110-11.

Langlois, Christine. "Joyce Wieland Likes Her Movie." Guardian (Brampton, ON), Oct. 7 1976.

Lanken, Dane. "Wieland Feature Explains Well Life and Death of Tom Thomson." Gazette (Montreal, QC), Aug. 7 1976: 33.

Lanken, Dane. "Wieland Film Leads List of Fest Debuts." Gazette (Montreal, QC), July 31 1976: 37.

Le Grice, Malcolm. "Around 1966." Abstract Film and Beyond. London: Studio Vista, 1977: 105-123.

Leach, James. "Second Images: Reflections on the Canadian Cinema(s) in the Seventies." Dalhousie Review 62, no. 2 (Summer 1982): 181-95; reprinted in Take Two, edited by Seth Feldman, 100-10. Toronto: Irwin, 1984.

Lellis, George. "La Raison avant la passion." In Form and Structure in Recent Film, edited by Dennis Wheeler, unpaginated. Vancouver: Vancouver Art Gallery and Talon Books, 29 Oct.-5 Nov. 1972.

Leroux, Andre. "The Far Shore." Séquences 86 (Oct. 1976): 41-43.

Levinsohn, Lisl. "Skin Deep." Maclean's 89, no. 18 (18 Oct. 1976): 77-78.

Lewis, Lisa, and Janis Crystal Lipzin. "Talking with Joyce Wieland." Cinemanews 78, no. 5 (Sept.-Oct. 1978): 19-21, 7, back cover.

Lind, Jane. Joyce Wieland: Artist on Fire. Toronto: James Lorimer and Co., Ltd., 2001.

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